The Pretty Toney Album is the fourth studio album by American hip hop artist Ghostface. 52596 Ghostface Killah: The Pretty Toney Album (DefJam) CB 52798 Elvis Costello: When I Was Cruel (Island] 43164 Wilco: Yankee Hotel Foxtrot (Nonesuch]. Happily, that streak continues with The Pretty Toney Album, where Ghostface comes off as. Whereas The Pretty Toney Album dealt largely with relationships and such. RELATED: Ghostface Killah Names His Favorite Songs From His. That next felony, nigga, it's like three zip. Nice try Tony, but let's shoot for a Supreme Clientele II next time around.Original lyrics of Run (The Pretty Toney Album) song by Wu-Tang Clan. The selection of singles here is also puzzling, with some of the worst tracks getting undeserved spotlight. It's hard not to inflate the rating of a record with some truly incredible joints, yet it's difficult to ignore the two-thirds filler combined with Ghostface's least complicated rhymes in years. Pt II, The Wizard of Poetry is definitely enjoyable even if it is sporadic in its appeal. While difficult to expect another killer Wu joint immediately following the brilliant Only Built 4 Cuban Linx. Interestingly enough, the two closing bonus tracks are some of the best - Ne-yo and Kanye collabo 'Back Like That' may be familiar to some, and the heavily dynamic, autotune-tastic 'She's a Killah' brings a unique spin to your typical club tune.

The crooning tenor of Lloyd over a clinic on funk in 'Goner' stands out with a particularly absorbing chorus as a good measuring stick, many ladies in this household have been caught recently with their heads bobbing. Ghostdeini is at his absolute best on the more modern iterations on the radio soul/rap formula, especially on the John Legend assisted 'Let's Stop Playing' and a killer trio of album closers. Starks, each and every track is mired in the misogynist musings of a man that loves 'running trains' and 'threesomes every other weekend' 'Stapleton Sex' runs these assertions to a head in what could possibly be a recording of the Wizard actually fornicating. Follow-up 'Baby' was seemingly written for an audience of peers and not a younger crowd with sappy generalizations for parents to be. Quickly setting Ghost's intended tone amidst updated, soul-laden beats, this one-two punch unfortunately sets the bar quite high for the remainder. 'Not Your Average Girl' and 'Do Over' kick things off brilliantly with catchy hooks from Shareefa and Raheem DeVaughn, respectively. When the record was initially announced as Ghostface's foray into R&B, it was greeted with disdain and an overall air of negativity - and while fears of 90s radio-soul surmounted, this reaction is largely unwarranted with modern production standards and a collection of excellent featured vocalists.

Not completely a club-oriented record, The Wizard of Poetry in Emerald City dons a multi-faceted mantle of sentimentality, jealousy, and sorrow this emotional gamut really doesn't click in certain situations (namely the off-target affair that is 'Baby'), but there are some incredibly catchy moments here. Abandoning the latter for a whole record (seriously), he dedicates his trademark crazed flow entirely to the fairer sex with mixed results.

Tony Starks likes two things, or so it seems according to the subject matter of his rhymes: b itches and blow. Review Summary: It's hard not to inflate the rating of a record with some truly incredible joints, yet it's difficult to ignore the two-thirds filler.

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